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The Front Room trailer in Variety

The official trailer for A24’s suspenseful “The Front Room” starring Brandy is here. Cut with Ben Rodriguez and directed by Max and Sam Eggers, “The Front Room” mixes family drama with modern horrors and supernatural strangeness, making your anxiety spike and your stomach turn. Learn more via Variety.

Chuck Willis in Little Black Book’s “Supreme Music Asks Chuck Willis: And What About Music?”

“I am hoping that music will go back to its roots. It’s a bit like film editing. Digital technology made it possible for anyone to edit, but not everyone can. The same is true for music.”   Dive into the mind of Lost Planet Planet  editor Chuck Willis as he reminisces about the raw energy

Catherine Bull Signing in shots

From museum films to Super Bowl spots and culture-defining documentaries, Catherine Bull’s lyrical editing sensibilities have made her a highly sought-after collaborator in the world of post-production. We’re excited to welcome her into the Lost Planet family! Learn more about Catherine in shots!

Jo Lewandowska Signing in SHOOT

An intuitive editor who grew up in Communist-era Poland, Jo Lewandowska’s editing style lends itself to evocative films with lots of heart. Currently signed with OkayStudio in the U.K. and Germany, Jo’s partnership with Lost Planet also marks a new chapter in the ongoing collaboration between our two post houses. Read more about Jo in

Kenny Shimm in Little Black Book’s “Finely Sliced”

“When you get technical, editing can feel like solving a jigsaw puzzle, but there are actually many combinations. Something can technically be cut ‘correctly’ in different ways, but it’s what you, as the editor, pay attention to that guides the flow of a scene. When all these little details add up, the way I see

Kenji Yamauchi in Little Black Book – “The Responsibility of Making Someone Cry: Editors Spill Their Secrets”

“Ultimately, crafting an emotional piece can be summarized in one word: empathy. Putting yourself in someone else’s shoes to understand their struggles or moments of pure joy, their rationale – or lack thereof – is probably the toughest part. However, once achieved, your canvas will be wide open. Paint with care; everyone deserves that.”  

Hank Corwin, Adam McKay: Car Commercial 419 in Deadline

“Everyone knows the car has a mythic place in America. Cars equal independence, adventure, success and on and on. But at some point in the past 18 months I kept seeing footage of cars in a way I had never seen before. So I called my editor Hank Corwin and we made this short or

9 Great Album Covers, Chosen by Jason Dopko of Lost Planet Editorial.

Muse by The Clio Awards’ “Art of the Album” provides an in-depth list curated by Jason, whose love for music was sparked by a record store with an incredibly diverse inventory while growing up in the Midwest. He says, “I was exposed to a lot of great music working at that store, and it shaped

Welcoming Kenny Shimm to the Lost Planet Editorial family! ✂️

We’re thrilled to have Kenny on board, whose fresh and relentlessly cool editing style and creative prowess come at an extremely exciting time. Shimm has worked on numerous commercials for brands like Air Jordan, Adidas, Michael Kors, KidSuper, and most recently, Rockstar. Additionally, he edited the sleek black-and-white films for 1800 Cristalino featuring R&B singer

Making the Grade: Steven San Miguel

“People want to work with people they like, so my goal is just to be friendly and positive. Filmmaking is probably the most collaborative creative medium, so I think of myself as just one of many collaborators serving the final product.” Black Hole Colorist Steven San Miguel joins LBBonline – Little Black Book for their

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